Among the musicals that have met with more success in the world, we find The Phantom of the Opera, Cats and Les Miserables. This is from a musical by Robert Hossein, adapted from the work of Victor Hugo, set to music by Claude-Michel Schonberg, the former husband of journalist Beatrice.

In 1985, Cameron McKintosh the importance the UK, transforming it and making it a worldwide success. To date, the show has been applauded by 56 million viewers around the world, played in 42 countries and translated into 21 languages.
The show said goodbye to Paris in 1992, after his presentation at Mogador. In New York, it was played until 2005. In London, he is still in theaters after more than 10,000 performances.

At the 25th anniversary production of Cameron McKintosh, the show to go on tour with a new cast. The new designs are inspired by original drawings of Victor Hugo. Musically, the mother of Cosette always sings I Dreamed a Dream – the tube that has brought luck to Susan Boyle – as emblematic of this show.

The show moved to the Theatre du Chatelet since Friday, May 28 The first was applauded by Beatrice Schonberg, Cialis Professional her current boyfriend Jean-Louis Borloo, Minister of Culture Frederic Mitterrand, Marc-Olivier Fogiel and Michel Leeb.
Twenty-five years after its creation, Les Miserables, musical by Claude-Michel Kamagra Gold Schonberg Based on the novel by Victor Hugo returns to Paris in its English version. The show has obviously changed since its inception, the technology has made great scenic progress and they benefit enormously to the staging that he knows to be spectacular (the suicide of Javert, Valjean’s descent into the sewers of Paris) and make instantly and realistically many sets of history. So much for the structure, it supports ranges from excellent to light.

The first part of the show seems endless and confusing. It has to half past one in summarizing a long history full of surprises. The scenes are linked together so frantically, almost giving one side vaudeville treasure hunt with a tragedy that’s not funny and it is better to keep in mind the novel by Victor Hugo not to be left behind. The weak link is, alas, the music. Claude-Michel Schoenberg is not Andrew Lloyd Webber and where the Phantom of the Opera aligns classic, Les Miserables only one, in this case I Dreamed a Dream, last year became the song the world’s most famous thanks to Susan Boyle who fired the Net.

Fortunately things improve in the second half. A certain unity of place and time moves, all characters are in place, and better served by the show’s musical themes can then proceed to its conclusion. At the end hello, spectators are a triumph in excellent company (great John Owen-Jones / Earl Carpenter and Valjean / Javert) and, like Joker, hiss and boo the evil Thenardier, repugnant and grotesque desire.

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